Welcome Divider

Let them announce that in the ancient cities of brutal violence peace ensues when women are in charge. In the United States, it’s more likely one becomes a princess than a Supreme Court Justice.

from “The Continents”
Makes the Daughter-in-Law Cry

© creativecommonsstockphotos
© creativecommonsstockphotos

Danielle Mitchell is an American poet, essayist, and community organizer. She is the author of Makes the Daughter-in-Law Cry (Tebot Bach 2017), selected by Gail Wronsky for the Clockwise Chapbook Prize. Her work has appeared in Hayden’s Ferry Review, Eleven Eleven, Harpur Palate, Animal, and is forthcoming in Vinyl and apt. Danielle is a member of the Community of Writers at Squaw Valley and the founding director of The Poetry Lab in Long Beach, California.

Other awards include 2015 Editor’s Prize from Mary and the 2014 Editor’s Choice Award from The Mas Tequila Review

Follow her on Instagram @dmpoetry

Recent Pub Divider
Interview Questions | Animal
Essay on Early Twenties | The Leveler
Disappearing Index | Sidekick
Goggle Search Cento | Four Way Review

Whats New Dividerpatreon_logo_2

Look for my new Patreon page coming soon. Working on writing prompts and other projects for my patrons. If you’re unfamiliar with Patreon, here is some useful information on the platform:

For creators, Patreon is a way to get paid for creating the things you’re already creating (webcomics, videos, songs, whatevs). Fans pay a few bucks per month OR per post you release, and then you get paid every month, or every time you release something new.

For patrons, Patreon is a way to join your favorite creator’s community and pay them for making the stuff you love. Instead of literally throwing money at your screen (trust us, that doesn’t work), you can now pay a few bucks per month or per post that a creator makes. For example, if you pay $2 per video, and the creator releases 3 videos in February, then your card gets charged a total of $6 that month. This means the creator gets paid regularly (every time she releases something new), and you become a bonafide, real-life patron of the arts. That’s right–Imagine you, in a long frilly white wig, painted on a 10-foot canvas on the wall of a Victorian mansion. And imagine your favorite creators making a living doing what they do best… because of you.”


“Troll” is the title poem from my current full-length manuscript in progress. This fifteen page poem has taken me years to write and guts to finish. I’m grateful to Carissa Halston, Randolph Pfaff, and the editorial team at apt for believing in this piece and helping me introduce it to the world. Please support indie press and this fantastic magazine by pre-ordering Issue 8 for $10 here.